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  You have the worst football team in the nation. Division III and you have won only one game in five years. But I want to attend Elbridge because I want to be more than a football player. In America, this is not what young black men are supposed to do. We are supposed to go to college to be student-athletes, athletes first.

  Meydenbauer has a great football program, but it is also one of the best public schools in the country. I came here as an athlete, but I’m leaving here as a student. Mary Shelley’s Frankenstein mesmerized me. The law of momentum conservation was handy on and off the field. While I found AP US History to be all too whitewashed, I thoroughly appreciated my world history teacher’s syllabus on the non-“Western” world.

  I want to go to Elbridge, not because you have a terrible team, but because your football players are people. Last year’s captain is now in the Peace Corps. Your running back took a semester off during football season to intern for the White House. Every Monday night one of your linebackers cooks a locally sourced, vegan meal for the entire team.

  Why am I, as a black man, limited to being an athlete in order to go to college? Why do I have to rely on a full ride provided by an athletic scholarship in order to attend?

  At Elbridge College, I want to be more than an athlete, more than a black man who has a great arm. At Elbridge College, I want to be a whole person.

  Half a life

  I couldn’t shake

  the last line

  from Bryant Barnett’s essay.

  What did it mean to be

  a whole person?

  For most of high school,

  I felt like I had been living

  half a life.

  Then,

  for the brief eight months

  I was with Ben,

  there was

  a new sense of roundness,

  like I was a balloon

  suddenly inflated.

  Thoughts of Ben clung to me

  Everything still reminded me of Ben.

  Walking down the halls.

  Seeing a familiar shadow

  dart into a classroom.

  Driving across the lake.

  Eating a sandwich.

  Thoughts of Ben were like humidity,

  just there, on my skin,

  there, when I breathed.

  Last spring

  I held his hand as we drove

  across the lake

  and inched through traffic

  along I-90 and up I-5.

  I let go as we wound our way

  through the leafy streets

  until we arrived at the end of the road,

  at the edge of the city limits.

  We stopped at a shack

  outside a park

  and ordered

  pork sandwiches.

  I took a bite. “OMFG.”

  Sauce and grease and everything amazing

  dribbled down my face.

  Ben laughed and reached over

  and brushed my face

  with a paper napkin.

  I wanted to kiss him.

  I hesitated.

  I had food in my mouth.

  But then he leaned over

  and licked my cheek

  like I was a Popsicle.

  I burst out laughing.

  “You’re such a weirdo,” I said.

  He shrugged

  like it was no big deal.

  And we both went back

  to eating our sandwiches,

  the best sandwiches ever.

  I had a lot of bests with Ben,

  and now I wasn’t sure

  where all those bests

  had gone.

  At the Starbucks

  On Northeast 8th

  I waited

  for coffee.

  Marco handed me

  a double tall cappuccino,

  extra foam.

  He wore thick-rimmed glasses

  that fogged

  a little

  every time he frothed

  the milk.

  “Nicola, you look radiant,”

  he said.

  Marco believed

  everyone’s name

  should sound

  European.

  “I love that scarf.

  Is it Pucci?”

  he asked.

  Before my mother

  gallivanted away,

  she dumped an armload

  of clothes, scarves,

  and shoes that were one size

  too big

  on my bedroom floor.

  She called herself

  a fashionista,

  but her therapist called her

  a shopping addict.

  I brushed the silk scarf

  away from my neck.

  There was a time

  it was a staple

  to the outfits

  I’d wear

  when out

  with Ben.

  I thought it made me

  look sophisticated,

  like somebody’s

  girlfriend,

  like a girl

  who was supposed to be

  with a boy

  like Ben.

  I checked the tag

  sewn into a corner.

  “Hermès,” I said.

  Marco’s eyes widened.

  “Tell me a French lover

  gave that to you

  while holidaying in Nice.”

  I smiled politely and shrugged.

  “Sorry. It’s from my mother.

  Maybe her story is better?”

  I wondered if it was.

  I wondered if she was off

  creating better stories,

  in the South of France or Spain

  or Argentina

  or Morocco.

  I wondered, briefly,

  why she hadn’t called.

  I wondered, even more briefly,

  if she had forgotten

  all about me,

  here in Meydenbauer,

  where I still live,

  in the same home

  she left.

  “I can’t create

  In words,”

  Marco said

  after school last week.

  So he paid me

  to write

  his art school essay,

  and last night

  I wrote

  pieces of it.

  I fell into his shoes.

  I wandered around

  in his world

  until the words came out

  to greet me.

  The essay prompt

  was something about

  obsession.

  I didn’t really know

  anything about

  Marco’s obsession.

  But I imagined

  what his obsession might be,

  because wasn’t there only one thing

  we were truly ever obsessed with?

  So I wrote,

  and I wrote,

  and I wrote, about

  love.

  A Draft of Marco’s Essay

  Art can be an endeavor in obsession with sometimes profound or detrimental outcomes. Describe a time when you found yourself obsessed with an idea, concept, or thing. How has this experience influenced your understanding of yourself as an artist?

  Portrait of Shane

  I used to think I was obsessed with lots of things. A single melody from an up-and-coming songstress. A pleated jacket from New York Fashion Week. The new fro-yo shop that opened up next door to work. I had no idea what it meant to be obsessed until I met Shane. Or, more correctly, I had no idea what it meant to be obsessed until I met Shane, dated Shane, and then lost Shane when he left to join the Peace Corps, somewhere I couldn’t even visit on weekends.

  I was smitten. I was in love. I devoured the time we spent together. He said words to me that I’ve never known any other human to say. He touched me with fingers that were both bitter and sweet. He listened to me
. He nodded along with all the outlandish ideas I proposed. He hugged me hard. He kissed me harder. For one entire summer, he was all mine.

  Then he took it away. He left to listen, to hug, to say things to other people more deserving in this world. Now I am obsessed.

  I refresh his page every other minute. I send him cat memes and notes with emoticons. I am not one who emotes in ASCII. I am not a lover of cats. I DO NOT KNOW WHY I SEND HIM THESE THINGS. I’m obsessed with checking my messages. When he replies, I feel like he sent me a cookie, like I ate a cookie, and then I want another. So I search for more cat memes, more emoticons to express how I feel, in order to receive another message, to eat more cookies. I am the freaking Cookie Monster.

  As an artist, I’m not sure my obsession does me any good. Under the influence of love, I make bad art. I collage his face. I acrylic his body. I photograph his every angle in every light. The gaudiness in this world is a product of obsessive love like mine.

  There are very few works that have gotten love right.

  Félix González-Torres’s Untitled (Portrait of Ross in L.A.), a 175-pound pile of candy, depleted over time to represent the ideal weight of his dying lover. Who could possibly create a work as poignant and devoted as that? I have a lot to learn.

  I love the process of creating art. The hours spent meticulously creating something, planning, experimenting, and feeling the work. The love that I have for the process is the type of love I want with someone else, a slow love, not one born of obsession.

  Ben used to bring me

  Double tall

  soy vanilla lattes

  every morning.

  I used to bring him

  an Egg McMuffin

  sandwich.

  “You guys are, like,

  so mature,”

  Jilly would exclaim.

  “You never buy me coffee,”

  Jenny would whine at Jordan.

  “That’s because you’re not

  my girlfriend,”

  Jordan would respond.

  “That’s not what everyone else

  thinks.”

  Jenny would smirk.

  “Wanna walk me to class?”

  Ben would ask,

  and I’d nod gleefully back.

  “You guys are sooo cute,”

  Jilly would say,

  and Ben and I would walk away

  hand in hand

  down the hall.

  “Do I have to bring you

  a latte tomorrow?”

  Ben would whisper.

  “I guess not,”

  I would say.

  “But I’ll still bring you

  an Egg McMuffin.”

  “You don’t have to.”

  “But I want to.”

  “But you don’t have to,”

  Ben would say.

  But the next morning

  Ben would hand me

  a double tall soy vanilla latte,

  and I’d hand over

  an Egg McMuffin.

  Jilly would swoon

  and Jenny would pout,

  and Ben and I

  would walk

  hand in hand

  down the hallway

  and off to class,

  again,

  neither of us

  considering

  what we actually

  needed.

  What does a pumpkin spice latte taste like?

  I slipped into a gray upholstered armchair

  and waited for Laurel LeBrea.

  “OMG, Nic.

  I have some

  uh-mazing ideas

  for my college essay,”

  she said over voice mail

  this morning.

  When Laurel moved to Meydenbauer

  from Southern California

  in sixth grade,

  I thought she was

  the oddest girl I had ever met.

  I was pretty sure

  she thought

  the same of me.

  “My daddy’s an entertainment lawyer.

  What does your daddy do?”

  was the first thing she ever said to me,

  and I stared at her

  and her pink bow

  and couldn’t comprehend

  how Laurel LeBrea’s father

  could be an entertainment lawyer

  in a city with no entertainment.

  Laurel strolled into Starbucks

  with her sleek blond hair

  curled perfectly

  around her face.

  She tucked her oversize sunglasses

  into her purse

  and glanced around.

  She waved at me

  with her fingers,

  then headed to the barista.

  I sipped the now lukewarm

  cappuccino.

  Laurel returned with a venti drink.

  She took a small sip and squealed.

  “Oh my God.

  I love pumpkin spice lattes.

  It tastes like

  a million hugs.”

  If only

  drinking a pumpkin spice latte

  was like

  a million hugs,

  then maybe

  everything would be

  okay.

  But what good

  are a million hugs,

  when you really only

  want one?

  Ben’s hugs

  Were epic.

  I loved snuggling deep

  against his ratty old T-shirt

  that smelled like cut grass and laundry soap.

  I loved being enveloped in his arms.

  It was like we fit together,

  perfectly,

  in our hugs.

  A yin and a yang.

  I used to think

  that meant something,

  us fitting together

  perfectly,

  but it wasn’t a sign

  of anything.

  “I think I love you,” Ben once said,

  while we were interlocked together

  like puzzle pieces.

  I kissed his forehead

  and squeezed him tighter, and

  all I could think was

  But do you know me?

  Smiling makes us happy

  In front of us sat Laurel’s iPad,

  filled with photos of Laurel

  at varying stages of life.

  Smiling with pigtails at summer camp.

  Smiling as a sixth grader in front of her house.

  Smiling as she’s being tossed in the air,

  her arms outstretched,

  her body in a perfect V.

  She pointed to a photo of little Laurel

  riding a horse.

  “I used to be a horse girl, but

  it wasn’t my scene.

  Horse girls are sullen.

  I switched to cheer.

  Cheer makes people happy.

  What about that idea?”

  “No,”

  I said.

  “This is me

  at last year’s state championship.”

  She pointed to a photo

  of her spiraling through the air.

  “What about an essay on

  my rise to cheer captain?”

  “No,” I said

  again.

  “Do you have any photos

  where you’re not so—

  smiley?”

  “I always smile in photos.”

  I pointed to

  the most boring photo on the screen,

  the one of Laurel in front of her house.

  “Tell me about this one.”

  “I don’t know why

  I included that photo.

  I don’t like it.

  I forced that smile.

  But I still look cute,

  right?”

  I touched the screen

  to expand the image.

  Her smile was different.

  All m
outh and no eyes.

  “What’s going on here?”

  She sighed and fell back into the chair.

  “I had just moved to Meydenbauer.

  I was supposed to wear

  leopard-print flats,

  my favorite pair of Sevens,

  and a bright pink sweatshirt

  that said BE BRAVE,

  with a heart around it.

  Mom had picked it out for me.

  “It was supposed to be

  my first-day-in-a-new-school outfit.

  I was going to make

  all sorts of friends

  while wearing it.

  “Mom folded it up

  and put it on the top of my suitcase.

  But when I opened my suitcase

  in Meydenbauer,

  it wasn’t there.

  Nor was my mom.

  So I cried.”

  Laurel’s story continued,

  but I was stuck in the moment

  when her mother

  was gone.

  I knew of the panic

  that settles in

  on those initial days

  without a mother.

  “Where is she?”

  I said.

  The words came out,

  interrupting.

  Laurel flinched.

  “California.

  My parents split.

  Mom was sad.

  Dad wasn’t.

  It was all very—confusing.”

  She paused,

  and smiled widely

  again.

  “She’s good now.

  Very centered.

  We talk every day.

  I mean, looking back,

  she was kind of

  not that stable.

  I’d always try to

  cheer her up.

  “It’s another reason

  I joined cheer.

  To actually cheer

  people up.”

  Would I ever get to that place

  with my mom?

  When I would be able to say

  she’s good,

  centered?

  That we talk every day?

  Maybe it would happen—

  if she ever returned.

  Laurel looked back at the photo.

  “Dad promised

  he’d send her a photo

  so that she knew I was

  happy.

  “I wanted to look happy for her.

  That’s why I’m smiling.”

  “Your mom, Laurel.

  That’s the essay I’ll write.”

  “But it’s so depressing,

  and totally not fun.”

  Laurel slumped.

  “But it’s real.”

  Laurel nodded hesitantly,

  holding a brave smile.

  Where’s Mom?

  I had to say it to myself,